I don’t think it’s an exaggeration to say that Venom is one of the most recognizable Marvel characters today. Thanks to his incredible design, a number of epic storylines featuring the character, and a successful film series, even casual comic book fans probably have an idea of what a Venom story is. should With the release of Venom Modern Era Epic Collection: Space Knightthese spontaneous readers might be confused by the interpretation of the iconic character in these pages. In that sense, it is a comic series with some interesting concepts that is worth reading, at least to see how versatile the character Venom has been used in Marvel comics.
Collecting the competing storylines from Poison #36-42 and Venom: Space Knight #1-13 (the entire series), the story follows Flash Thompson as he takes on the role of Venom and battles underworld threats in Philadelphia before embarking on a new mission as the Space Knight. As he goes about his duties, Flash is confronted with his past and must face challenges both in space and on Earth. His journey culminates in a confrontation with Spider-Man during the events of Civil War II.
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The issues collected in this Epic trade were quite surprising and a peculiar direction that Venom went in during the soft reboot of the Marvel line in the mid-2010s. It still bears many of the trademarks that Venom fans have come to appreciate, but at its core it feels like a completely different character that has had a Venom membrane applied to it to better sell issues. With Cullen Bunn’s run ending in issue #42, it feels like a significant and rushed about-face to end Andi’s time with the symbiote and get Space Knight’s space adventure underway. Obviously, many characters have worn the Venom symbiote, this book shows that Marvel views the costume as a fantastic visual and financially sound property rather than a specific character type.
It’s not a bad thing that Venom can be in such diverse stories. I loved Robbie Thompson’s idea of sending Flash and the symbiote into space on behalf of the Avengers to work with the Guardians of the Galaxy. It’s a fun premise! Add to that the beautiful pulp-inspired airbrush artwork by Airel Olivetti, and I was able to enjoy the concept of this book. The stories themselves just felt way too safe in their execution for such a great concept, but there was a definite improvement in plot and storyline as the series reached its final issues. Gerardo Sandoval’s pencil drawings in the final issues reminded me of the twisted and anatomically nonsensical art often found in Sam Kieth’s incredible Venom books from the 1990s, which was great to see. I also think that Venom comics are at their best visually when the artists can let their hair down with their character contortions and body horror.
Marvel has been expanding its supplementary offerings in recent Epic Collections, and this book is no exception. There are the ubiquitous variant covers, a large handful of penciled and inked pages, and a selection of design sketches. I particularly enjoyed the afterword by Bunn and Thompson at the end of the book. Even for fans with a good understanding of Marvel history and their publishing cycles, these final explanatory thoughts from each author really help to give the context of these books. It also shows how carefully and enthusiastically these authors have crafted their stories.
If you have just seen a Venom movie and are buying this book to learn more about this character, this title may confuse you. But for Marvel fans who are open to different ways to use this iconic antihero, Venom Modern Era Epic Collection: Space Knight is an interesting narrative detour that offers some entertaining character moments and action. It’s not a definitive Venom story, but it’s worth reading.
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