Although he does not act in any films, Dinesh Pandit, who has written several sensational Hindi crime novels, rose to prominence in the previous film, “Haseen Dillruba” and its sequel, “Phir Aayi Hasseen Dillruba”, as a determined woman in the small town of Jwalapur becomes the target of an investigation into the murder of her husband.
Pandit’s novels and their teachings are present in Rani’s story, which is set in a continuing dangerous love triangle. Therefore, fans are left to question the authenticity of the book in the sequel by examining the titles Hawas ka Aatang, Cobra ka Intiqam and Magarmach ka Shikanja.
Dinesh Pandit’s crime novels are characterized by their fiction.
The screenplays for “Haseen Dillruba” and “Phir Aayi Hasseen Dillruba” were written by Kanika Dhillon, who then created their fictional worlds. Dinesh Pandit, a renowned crime writer, is the driving force behind Dhillon’s film world, which shows the twisted plots of several characters and their puzzling crimes. Yet, Dinesh Pandit is not a fictional entity that is a fictional element, a fictional
Originally, Pandit is a fictional reference to the Hindi pulp fiction writers of the past like Gulshan Nanda, Ved Prakash Sharma and Surendra Mohan Pathak, who continue to be prominent in the genre. Their books include detective stories, romances, crime novels and short films.
Pandit’s character is a tribute to the Hindi pulp fiction novels that have been sidelined due to the generational shift. Referring to Dinesh Pandit and his novels in an interview with OTTplay, Dhillon stated that they are a tribute to the wonderful world of Hindi pulp crime novels that these authors had penned.
The script of Hawas ka Aatang establishes the connection between Rani and Neel.
In Haseen Dillruba, Hawas ka Aatang becomes a standout at this stage as the wife’s marriage with Rishu is considered a failure in the story of the couple. Rani is unable to make any progress as she is treated like a puppy while Neel, cousin of Neel, comes to town to stay for a while and leaves with an extra spark, which evokes an instant reaction.
In an earlier episode, Rani and Neel converse on the balconies of the house and read Hawaslining, with the book’s title loosely interpreted as a reference to the dangerous sexual attraction between the two individuals. The consequences of this addiction suggest that the Pandit novel is a precursor to the actions of Neel and Rani, who experience a heightened sense of recklessness.
The work of Cobra ka Intiqam and Magarmach ka Shikanja: Narrative Catalysts has shown that the stories of these men can never be fully trusted.
The book is about Dinesh Pandit, whose work plays a major role in the film, unlike Hawas ka Aatang.
Similarly, the book Magarmach ka Shikanja (Crocodile’s Clutch) reveals the final Pandit book that Rani, Rishu and Abhimanyu have to follow to evade Officer Montu’s official investigation. Moreover, the plot of the book is also referenced to the 1988 film ‘Khoon Bhari Maang’, which uses crocodiles as important plot elements. Both the books are fictional but play a more significant role in the plot.
