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A film about Harry Potter and the Cursed Child would make a detail from Deathly Hallows even worse


A film about Harry Potter and the Cursed Child would make a detail from Deathly Hallows even worse

There is still great interest in Harry Potter and the Cursed Child would be a key element of the Harry Potter and the Deathly Hallows. The Cursed Child The script follows Harry Potter and Ginny Weasley’s son, Albus Severus Potter, and Draco Malfoy’s son, Scorpius Malfoy, during their years at Hogwarts, along with many other familiar and new characters. West End and Broadway productions have seen the Harry Potter Bring your play to life with stunning effects, impressive sets and unforgettable performances.




The popularity of the stage productions has led to speculation that the story could also be adapted into a film, with Daniel Radcliffe, Rupert Grint, Emma Watson and other stars possibly reprising their respective roles. Interest in such a project has increased following the disappointments of the Fantastic Beasts and Where to Find Them sequels, and no further films have been confirmed for the future of the Wizarding World franchise. As tempting as a Cursed Child In the end, the film could do more narrative harm than good.


In “Harry Potter and the Cursed Child,” Harry stops Voldemort again

Voldemort still manages to pose a threat even after his death


Despite some more imaginative narrative choices, Cursed Child culminates in a manner all too similar to Deathly Hallowswhere Harry has to stop Voldemort again. The confrontation is more indirect in Cursed Childbecause it is Voldemort and Bellatrix Lestrange’s daughter Delphini who must stop Harry. Nevertheless The end goal is the same, as Harry must stop Delphini from successfully reversing history and bringing about Voldemort’s return.

Delphini poses as Delphi Diggory, the niece of Amos Diggory, before her true identity is later revealed in
Cursed Child
‘s script.


Although Cursed Child begins during Deathly Hallows‘ Epilogue and set years after Voldemort’s defeat, the franchise can’t leave the dark wizard behind, with the eighth installment of the series still revolving around Voldemort. Harry finally defeats Voldemort for good in Deathly Hallows loses some of his weight if he has to do the same thing again in Cursed Childalbeit in a somewhat more indirect way. It would Cursed Child The film seems too repetitive compared to its predecessor.

A film about the Cursed Child would show how the Deathly Hallows failed to defeat Voldemort

It could retroactively weaken the Deathly Hallows

Voldemort breaks into pieces when he dies in Harry Potter and the Deathly Hallows: Part 2.

Apart from being repetitive, A Cursed Child Film could Deathly Hallows feel less triumphant. Deathly Hallows should be an epic and rewarding conclusion to the Harry Potter Series in which characters from all the books and films, such as professors and students of Hogwarts, members of the Order of the Phoenix, and various creatures, unite during the Battle of Hogwarts. The harrowing journey to destroy all of Voldemort’s Horcruxes is finally complete, and Harry defeats Voldemort in a way that fits his character well.


There is no reason to undermine the lasting legacy of the original series’ big screen ending, particularly when it comes to Voldemort’s defeat.

Much of this could be lost with Cursed ChildThe time travel makes Voldemort’s defeat feel less final. Deathly Hallows is one of the best Harry Potter Books and Deathly Hallows: Part 2 is arguably the most thrilling of all the films, with Voldemort’s downfall being a major reason why these stories work so well. There’s no reason to undermine the lasting legacy of the original series’ ending on screen, especially when it comes to Voldemort’s defeat.

Harry Potter’s film series should leave Voldemort (and the cursed child) alone

Only 1 future story must include Voldemort

Lord Voldemort (Ralph Fiennes) puts his hands on his head in “Harry Potter”.


Except for HBO’s upcoming Harry Potter TV series, the franchise would be best served to leave Voldemort and Cursed Child alone for now. Cursed Child‘s greatest strengths are the impressive visual performances delivered during live stage productions, rather than the story it tells. The impact of these performances will not be as impressive in a film as they would be during a stage play, and the film will only highlight the story’s narrative problems, ranging from repetitive plot lines to the convoluted time travel plot.

Francesca Gardiner, who previously worked at
His dark materials
And
Consequence
will serve as showrunner and executive producer for HBO’s
Harry Potter
Series.


Radcliffe and other stars who reprise their roles in a Cursed Child Movie stars have already advanced their careers and would probably not be interested in returning. Cursed Child remains best as a stage play and Voldemort’s Defeat remains best in the satisfying way it is written in the Deathly Hallows novel. The franchise can instead focus on making the HBO reboot a faithful adaptation that does justice to the books in a way that the films failed to do.

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