World-famous graffiti artist Banksy has completed his animal trail after nine days of pop-up artworks across the capital ended with a piece about the shutters of the London Zoo.
Although all of the surprise pieces have now been revealed, speculation continues about their inspiration. What do they mean and how have they been received in the art and graffiti world?
Banksy’s latest work, outside London Zoo in Camden, north London, shows a gorilla opening the shutter to release a sea lion and birds, while other animals appear to watch from inside.
But the series of artworks was set in motion with a work on August 5 that seemed to show a goat perched on a ledge while rocks fall down on a wall in Kew Green in Richmond, south-west London.
This was quickly followed on August 6 by a work depicting two elephants grasping each other’s trunks, and on August 7 by three monkeys hanging from a railway bridge in Brick Lane, east London.
By the third day, there was a lot of speculation on the Internet about whether the series had a deeper meaning.
Perhaps the goat was a metaphor for being on the brink of a moment of change, or the two elephants were reaching out from different sides? Perhaps the three monkeys represented the “wise monkeys” in the famous Japanese proverb “See no evil, hear no evil, speak no evil”?
The theories ranged from the series to social division amid the recent unrest, up to the Israel-Gaza conflict.
James Ryan, CEO of the Grove Gallery, which sells Banksy originals and prints, told BBC London that he initially believed the works had “politically charged and motivated messages, so the goat – references to Palestine and Gaza, and then the wolf crying for help – a kind of persecution”.
However, since the release of the last part, he is convinced that the series is about the theme of “imprisonment; captive animals”.
Mr Ryan added that while there were new elements to Banksy’s campaign, such as building momentum by posting a daily “teaser” on social media, there were also references to his previous work. For example, the gorilla image is reminiscent of his 2006 work “Sweep It Under the Carpet”, which depicts a maid with a dustpan and brush, also painted in north London.
James Peak, BBC presenter The Banksy Storyexplained that animal welfare was “very close to the artist’s heart” and that he had “helped Greenpeace with a campaign several years ago.”
He said the artist had also incorporated environmental themes into his work in the past, writing on cardboard signs and throwing them into monkey enclosures at Longleat and Melbourne Zoo in Australia. “The monkeys would hold up pieces of cardboard and say things like ‘Please help me, I’m the victim of a cruel scientific experiment’ or even ‘I’m famous, get me out of here’.”
He added that Banksy campaigns “often only really make sense in reverse.”
This series could simply represent “the magnificent escape of the gorilla from London Zoo, which explains why so many animals have been in London over the last week,” he said.
Or it could have “a really serious underlying cause – perhaps that we are not doing enough to ensure that animals around the world have enough natural habitat,” he added.
The pieces were not without problems either.
The howling wolf sprayed on a satellite dish in Peckham, south-east London, was apparently taken by thieves.
Two more were removed by the London authorities. The first – a cat silhouette painted on a billboard in Edgware Road in Cricklewood – was dismantled for safety reasons.
The City of London Corporation said the other painting from August 11 – swimming piranhas on a City of London Police guardhouse – had been moved to Guildhall Yard for safe viewing.
Two more were defacedincluding the two elephants that were sprayed with white stripes.
However, it is the vandalism of the penultimate artwork, a rhinoceros (originally sitting on a Nissan Micra with a traffic cone on the bonnet) in Charlton, south-east London, that reignited an old feud between Banksy and his revered rival Robbo.
Ahmad Karkouti, of graffiti and street art podcast Arms House to Your Mums House, told BBC London that the white S or dollar sign and V sign stood for a local graffiti crew called South Vandals.
He added that he had received footage of the damage with the message “South Vandals 4 life! Team Robbo”.
Mr Karkouti explained that the late Robbo, who was from London, was inspired by the differences in the appreciation of socially accepted street art compared to traditional graffiti, which was widely viewed as vandalism.
While the hidden meanings and larger conflicts are still up for debate, one thing is clear to enthusiasts: Banksy has managed to capture the world’s attention – once again.
Mr Ryan said the series had “had the desired effect that he wanted” of “creating that theatre” that “confirmed” his status as a “trendsetter”.
Mr Peak agrees.
“This campaign lasted eight, nine days and it’s fantastic. The whole of London and the whole of Britain are talking about it.”